(Album Review)-@CrookedIntriago “Apex Predator”

What do you get when you take one quarter of arguably the most lyrical rap super crew in history (Slaughterhouse) and send him on a solo mission? You get Crooked I’s “Apex Predator”. Ominous production and superb lyricism are found everywhere on the release. Crooked is no rookie in the rap game having been signed to the infamous Death Row Records and making appearances on projects dating as far back as the late 90’s, it’s rare to have such a seasoned emcee making their solo debut. Obviously absent from the project are his Slaughterhouse cohorts and one of his biggest cosigns in the industry Eminem. Crooked took this time to show that he can deliver those raw lyrics we all love without any assistance. There are however a few instances of snore inducing punchlines and run of the mill rap album cliches.

Dark synths, bouncy drum patterns, and even a beatbox by Crooked (“Sumthin from Nuthin”) play a part in laying the soundscape for the multi syllable rhyme patterns Crooked I is known for. The aforementioned “Sumthin from Nuthin”, “Crook n Porter”, and “Yodo” are standout tracks. Cardo, Jonathan Elkaer, Luxe Beats, Mr. Porter, Street Runner, Sarom, Snaz, and Tabu all take turns lending their musical talents to this 11 track project. Tena Jones, K-Young, and Strange Music’s own Tech N9ne are the only features on “Apex Predator”. While Crooked I’s feature list is short it is effective. With each feature fitting flawlessly on their respective songs. Yet with all of the great musicianship and almost perfect feature artist selection the release leaves something to be desired. “No Sleep Gang” and “Crowns” are forgettable. With “No Sleep Gang” offering a lazy repetitive hook and “Crowns” sporting clunky production. While not the complete offering that was expected from such a respected lyricist “Apex Predator” serves as a glimpse into the creative world of Dominick Wickliffe.

Aaron “Uncanny” Phillips